There’s something unique about post-industrial small towns in the North of England in their seeming ability to spawn legendary or at least heavily cult status
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Ont Road x Apathy and Exhaustion – Clowns / Mannequin Death Squad / Daves at The Key Club, Leeds, UK, 20/07/2023 – Collaborative Live Review
ToN: I’d like to welcome Lukas on board for collaborating on this article (his words are in normal typeface, mine are in italic), and thank
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Rivalry – Sometimes You Have to Look Back (Brassneck Records, 2023)
It’s 2023, and Coid related lockdown seems almost like a bizarre memory, almost like it’s still an “actual thing”. To me, at least. I’m still
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Airstream Futures – Armer L’Harmonie (Little Rocket Records /Rad Girlfriend Records, 2023)
It’s always a happy time when a record you really enjoy drops. Here we are taking a look at Armer L’Harmonie, which is the third
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Where have I been?
Nowhere. It’s been a damnable amount of time since I wrote my last review. And yet here we are, some 6 months since the last
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Dealing With Damage – Use the Daylight (Little Rocket Records / Rad Girlfriend Records, 2023)
Time seems to move fast. It’s weird. It seems like about only last week that Dealing With Damage released their first full length album, Ask
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Field Day – Acquisition (Little Rocket Records / Sense of Place Records, 2023)
Happy 2023. Strap yourselves in for more of the same misery / different day. Anyways, with that out of the way, let us crack on
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Mark Murphy & The Meds – Monochrome (Brassneck Records / Cat’s Claw Records / Kezzy P / Waterslide Records / Bloated Kat, 2023)
January 2023 sees the welcome return of everyone’s favourite chirpy Scouser, Mark Murphy. You may know him from everyone’s favourite chirpy Scouse skate punk ensemble,
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84 Tigers – Time In The Lighthouse (Spartan Records, 2022)
I’d been peripherally aware of this release being on the horizon, and then promptly forgot about it. Today is apparently the day to redress that
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Tim Barry – Spring Hill LP & Carolina’s RV 7in (Chunksaah Records, 2022)
Anyone that knows me knows that I’m a massive advocate of the works of seminal Richmond (Virginia, not on-Thames) hardcore punk combo Avail. Although they
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